As March goes out like a cotelette d'agneau

There may be no more nautical debating, but there are a few Speecho-American Sailors on the loose, heading for the state tournament the end of April. We’ll have a workshop or two at the chez for them. This is where we have them perform but take them apart practically word for word. Since I haven’t seen them in a while, and a couple of pieces not at all, it’s a good opportunity for them to get a last shot at seeing what’s working and what isn’t. The first of these sessions is next Monday, during our school’s break.

Running the NYSDCA tournament this weekend should be interesting. It’s small, and I want to try pairing using TRPC’s pairing-on-screen function, which I’ve never used before. I’ve certainly asked CP to incorporate something like that into his new software, so this will be a fun test. It’s also supposed to be sort of a crappy weekend weatherwise, so I don’t feel as if I’ll be missing anything I could be doing. The really warm weather is coming, and those strolls around Manhattan…

O’C and I recorded a TVFT Wednesday, but the sound quality is miserable. Not miserable enough not to release it (that distinction goes most recently to the “The Train Has Left the Station” episode with Pajamas W), but miserable enough to want to not repeat it. O’C says the problem is Time Warner, and if he’s ever home to let the cable guy in, all will be fixed. Of course, if the cable guy sees all the Willow memorabilia, he may become too distracted to do the job he is paid for.

Grinwout’s continues apace. I’ve started a Facebook page for it, that I’ll promote next week after I play with it a little more. I realize that when I was doing this for the DJ I sort of became obsessed, and the obsession has stuck. My brain is a mess of lightly connected data informed by books and movies and culture in general, which is one of the reasons I’ve done okay as a book editor, where a certain dilettantism can be a plus if you do general stuff. In other words, I have a great interest in a lot of things mixed with a short attention span; this is the mix an editor needs, I guess. Unless you want to edit brain surgery texts, that is. You want those folks to keep their eyes on the ball, so to speak. You’re in there disconnecting the cerebellum from the carburetor or whatever, and the last thing you need is to be distracted by a really good tap dancing video.