The Nostrumite is in a state of
permanent depression over the fact that the Ecole Nationale des Beaux-Arts has
accepted a few francs under the table to fund a Disney chair for cultural
exchange. This from the same country that refused to visit EuroDisney because
they didn’t sell wine in Cinderella’s castle? The same country where every
intellectual worth his Derrida spent every waking hour bellyaching over the
Americanization of the glories of French culture? The same country where
eventually some Arab sheiks had to come in and bail out Mikey Eisner and change
the name to Disneyland Paris (a city which, we hasten to point out, has a
booming Disney Store on the Champs Elysees, patronized mostly by American
tourists)? What are these people coming to? And to think, without them, we
never would have bottled up the British at Yorktown, and George Washington
would have been hanged at dawn...
Anyhow, as a tribute to our Gallic
cousins, we offer a unique episode this week. The episode itself—which even we
admit is pretty boring—discusses modernism; that’s rather French right there.
But what we’ve done is used Babelfish, an on-line, automated translation
service, to translate the episode into French, and then used it again to
translate the French version back into English. The results are, well,
interesting. We are especially pleased by the rendering of the name of Bill
O’Connor, our heroic albeit partnerless polician.
And yes, we did steal the idea from
MT. He’s our other hero, right after Dickens. Except on Tuesdays and Thursdays,
when it’s the other way around.
___
The vast Nostrumian army will recall the episode:
#55
Hand Me De Construction Paper / Papier De Hand Me De Construction / Paper De
Hand Me Of Construction. Stolen directly from Twain, who printed a version of Jumping Frog as written, as translated into French, then as translated back from the French into English. Very drole. Tres drole. Very funny.
Ah, the good old days.
Meanwhile, editing continues apace. Last night I reintroduced myself to Quack the Forensic Duck in Series 2. I can see the proverbial light at the proverbial end of the proverbial tunnel.
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