In which we don't stay up late

TV: I was planning on staying up late to watch the Oscars, and it was over around 10:30. I wasn’t even yawning yet. Amazing! Of course, it did start at 7:00 EST, and my recollection is that it used to start at 8:00, so that may account for some of it. And they didn’t have full performances of all the nominated songs, a good time-saving choice since as often as not it’s the first time and the last time you’ll ever hear them and it’s too late to vote, even if you wanted to. And I always enjoy Conan, which helped cover up for what seemed an unbroken series of failed bits from the presenters. And I have planned on watching all the nominated movies. Maybe not today, maybe not tomorrow, but soon…

Music (queue division): 

• Neil Sedaka, “The Hungry Years” I was already going through Sedaka’s work before he up and died on me. There’s something inherently chipper in his songs, and his voice, and he really was a pop god before the Beatles came along. All the songs on this album sound like perfect early sixties pop, and there’s only one problem: He recorded it in 1975. As you listen to it you remark to yourself that there is absolutely song-writing craftsmanship going on, but it’s a dated craftsmanship. On the other hand, the album contains the slow version of “Breaking Up is Hard to Do,” one the the greats no matter what the decade. 
• The Turtles’s “Battle of the Bands” is a mediocre album with a couple of gems. It raises the question of FM vs AM, which I’ll get into some other time. 
• Lovin’ Spoonful, “Everything Playing,” has a couple of good songs that were late hits for them, but that’s about it. I probably had this in the queue after Andrew Hickey described how the Turtles wanted to be a good time music band like the Spoonful. Whatever.
• “McCartney III” — I hate to say it, but Sir Paul has lost his voice. Hell, he was born in 1942, so to say that he sings like an old man is to belabor the obvious. The problem is, he writes songs for his young voice. So it goes.
• The Kinks, “Face to Face” is prime stuff from Davies and company. It is educational to compare Davies’s “Dandy” vs Herman’s Hermits’ cover version. It’s a literal cover, exact down to the briefest semiquaver, and it’s cute. The Kinks’s version is not cute. And I admit, I like them both. But if I were heading to a desert album, I think I’d be leaving my extensive Hermits collection back on the mainland.